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If this note smelling women, do not you think he is in the framework of Kartini Day. Not too in order to represent the group that speaks about issues of gender bias. More wrong again if this record is connected ith hubungkand obscene law that new-born this bari. Not. Not for the sake of all that.
NOTE this small there is a 'gong' to mark a musical event that occurred on November 13, 2008 from a woman. He is a Frenchman. He is a guitarist. Still young. Beautiful. Maud Laforest name.
We both had a beautiful woman ungsikan this one guitar hero. Because without the need to be praised in this record, he's far left views that later will appear below. So, better late in a larger context: women and music. Let.
Let us Amini together if a nuanced perspective on life patriarchy more pronounced in the upper world. Women are always in an inferior position that completely wrong and have a lower bargaining power than the adam. The women's perception of someone often menggring community for how to treat it.
When women can not cook, she was accused of not real women. When she rarely wear skirts (although this assumption is not so true today), a question mark will definitely sticking feminisnya side. But on the contrary, when a woman wearing a skirt, he would cheered, "Feminine really does lo!". Lah, measure the extent seen enough skirt Was?
It's funny to hear something like, "Girl you doing that? Cook nyokapnya meningggal not cry?. Or, "Ih ... she really smoking?". Indeed, if man is not wrong to smoke?
That is the reality of what happened. This world is full of man formation. Woman named as Penjalan fate, not a determinant of fate! Women seemed to (be) engaged in a level which is arranged in a very strong patriarchal perspective, while denying women the choice to act freely according to what they believe.
In music, this also applies. We always see how unfair society in assessing women's music. The singer is not even gifted, if he can show sensuality, people flocked to worship him. Another case is this: a female musician who finished the recital will be taken like this, "Make a girl for solo guitar, that's very good" (Benny M. Tanto expression in female guitarist recital Croatia, Ana Vidovic - Sinar Harapan, 30 November 2006).
Then, should put a valuation on the basis of sex in music? Who's the music itself is not in pairs - no air-penis, nor does her vagina. Allow to see the women who make music as an artist with no other frills?
In the perspective of feminist activists, there are two things that disebrangkan: natural and gender. Natural is the device / system to women's someone who is as innate, like for example, uterus, mustache, tits, Adam's apple, and others. Medium gender is a condition in which the perception of women and men is built on the social construction of society, as men have to look for a living, women are not allowed to go home tonight, man must not cry, women should be able to cook.
From there, finally another term birth: a gender bias. This term refers to a policy / program / activity or condition favorable to one sex that resulted in the emergence of gender issues (according banten.go.id). That is, the word bias is added in front of him, showing that there is a shift in meaning, in which the perception of gender even bring up new issues.
In the world of music, history records that gender bias had occurred long ago. Many of the victorious women composers of his time, but after the death of their works were forgotten. Or another case where women's music must have 'quiet street' before they arrive at glory.
Two female characters who are very prominent music is Clara Schumann (1819-1896) and Fanny Mendelssohn (1805-1847). Clara is the wife of composer Robert Schumann's world (1810-1856). Medium Clara is the sister of Felix Mendelssohn (1809-1847). If both are famous, people always associate it with the name of his family. Rarely do people who want to understand them as individuals who escape from a big name family.
Clara on one occasion had said something like, "I once believed That I Possessed creative talent, but I have given up this idea, a woman must not desire to compose - there has never yet been one Able to do it. Should I Expect to be the one? ". Medium Fanny never mailed this way by his father who is a philosopher, "Perhaps for Felix earnest music changed from a profession, while for you it always will from Remain but an ornament; cans and Should it never changed from the foundation of your existence".
Both of the above is evidence that women's music is a difficult choice for women themselves, their families, and society. And even if women succeed in the music, not infrequently dialamatkannya insincere praise, or at least, the portion of the quality of honesty is not the same as men appreciate music. There are always other motives, other expenses, other goals when people appreciate women. Is necessary for us to dispose of his perempuanan, and only saw him as a human being artistic. That's it. Nothing more and nothing less.
Because this record is an overview of the guitar recital, then it is necessary a little review about the game Maud Laforest, although already doubted from the beginning, that the game music from a student of Manuel Barrueco will be much left of this review.
The night was very solid. Even until the screen needs to be provided outside the recital room to accommodate extra spectators. This might be due to public interest against classical guitar recitals are held very infrequently, so strong. Moreover, this time sung by a woman who is described in publications with a beautiful poster. This alone shows the occurrence of gender bias.
Opened by the composition of Regondi Giulio, an Italian composer of the Romantic era, Laforest able to appear directly prime and riveting. Without further ado, another number of G.F. meluncurlah Haendel with the Sonata in A minor. Changes in contrast to the Baroque than Romantic works show independence Laforest to not put songs in order of age, as is commonly done most of the viewer.
Sonata Giocosa from Joaquin Rodrigo was also very interesting. By using Sonatayang form consists of 3 parts, Rodrigo expertly put Spanish Romantic elements thick. Guitarist graduate of the Peabody Institute in America, it has the technical execution and a very good musical. In terms of musicals, it was clear he was more mature than young female guitarist who had a stopover in Indonesia some time ago, Ana Vidovic.Nomor-number compositions from Mangore Barrios, Mertz, and Piazzola Laforest was devoured by very smoothly. In Piazzola compositions, Trois Tangos, his skill in bringing the rhythm of tango is very capable. There is a rhythmic sense that is somewhat different from the traditional tango. Laforest nature shows that there is a strong tendency to give tango rhythmic effect that moving forward, as if to shift the pulse but remained in the right frame of metrum.
A little style, but a lot of action. Such was the picture of recitals Laforest. He minimal interaction, just diligently serve the musical needs of the audience. That's probably why, although he was very charming - with the technique, musical, youth, and certainly does not include the women of his - the audience is not rewarded with a standing ovation, as usual given to many of the best music viewer.
Oh, if he is more intimate ...
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